Process+Practice

DANCE Series

etobicoke, ontario

AUGUST - November 2024

Presented by Assembly Hall in partnership with TFD, with support from ĀNANDAṀ, Process+Practice is the umbrella name for a series of new pilot programs at Assembly Hall.

  • Local dance artists and choreographers are offered in-kind access to the Performance Hall at Assembly Hall to deepen their practice and develop new choreography. Residency artists are supported for a two-year period and receive additional in-kind rehearsal time at Collective Space, supported by ĀNANDAṀ.

    Artist Cohort #1 (2023-24) is Rakeem Hardy and Tanveer Alam. Click here to read more!

    Artist Cohort #2 (2024-25) is Boys’ Club Tap Dance Collective and Kiera Breaugh. Click here to read more!

  • Informal showings of works-in-progress by Process+Practice residency artists, followed by a facilitated discussion with the audience and artists.

  • Participatory sessions for curious movers of all levels (including beginners!) to learn and practice the basic concepts of a variety of dance styles.

  • Two compelling world premiere performances by residency artists in a single show, including a free matinee for students and post-show artist talks.

Upcoming Public Events

Click on the event title or photo to view more information!

 About the Artists AND Projects

2023-24 Cohort

Photo by Kendra Epik.

  • Rakeem Hardy (they/them) is a black, queer, agender dance artist originally from Toronto, Canada.

    They received their BFA and the Thayer Fellowship Award from the State University of New York at Purchase College. They performed works by Ohad Naharin, Doug Varone, Sidra Bell, Norbert De La Cruz III, and Roderick George. They received additional training at the Taipei National University of the Arts, as well at Springboard Danse Montreal where they performed pieces by Crystal Pite, Alejandro Cerrudo, and Aszure Barton.

    Rakeem has collaborated and performed with A.I.M by Kyle Abraham, Collectif LA TRESSE, Loni Landon Dance Projects, and Gallim Dance. Rakeem is a current member of the Vancouver-based company, Kidd Pivot.

  • “In this new creation, I am exploring my personal dreams of the future and what an alternate reality could look like. I hope for the work to act as a meditation on identity, history, aspirations and fears. I ask myself two questions: what are the parts of me that are too different to hide? And how can the imagination support a reality that exists beyond the limitations of the body?”

Rakeem Hardy

Photo by Fran Chudnoff.

  • Toronto-based Tanveer Alam started his Kathak training with Sudeshna Maulik and continued further nuanced studies with guru Sandhya Desai. Alam is a 2019 graduate of The School of Toronto Dance Theatre.

    Alam has performed in the works of Rina Singha, Lata Pada, Padmini Chettur, Brandy Leary, Harikishan S. Nair, Sashar Zarif, Lucy Rupert, and Peter Chin, to name a few. As an emerging choreographer, he has presented work at SummerWorks Festival, Battery Dance Festival +, MAI - Montréal, arts, interculturels, CanAsian Dance Festival: Grit Short Dances, and Tangente. Alam is also invested within the dance sector as an Alliance Lead at The South Asian Dance Alliance of Canada, a guest curator alongside Nithya Garg at Dancemakers (2023 season), and an Artistic Associate with TOES FOR DANCE (2023 season). 

    Across the 22/23 season,  Alam premiered The Tagore Project (co-choreographed by Atri Nundy), at Tangente and Sampradaya Dance Creations, and In Multiplicity (co-created with Nithya Garg) as a part of the Independent Projects stream at Nuit Blanche (Humber Galleries). Furthermore, he presented Haazri, a new Kathak solo at The National Ballet of Canada’s Sharing The Stage program. His next work is his first full length solo entitled Leher, presented at Native Earth’s Aki Studio in June 2023. tanveerdance.com 

  • “Muhandis (meaning architect in Arabic) will be my first Kathak group creation, through which I will be exploring the characteristics of Islamic architecture and geometry. This piece will be structured within the Kathak form and aesthetics, while existing outside of classical repertoire, and will integrate Toronto-based dancers from the Lucknow Gharana/Style of Kathak. “

Tanveer Alam

2024-25 Cohort

Photos by Sam Gaetz, Amy Gardener and Melissa Bahrami .

Boys’ Club Tap Dance Collective

  • Boys' Club is a tap dance collective which comprises 3 women tap dancers (Veronica Simpson/Toronto, Laura Donaldson/Calgary, and Elise McGrenera/Vancouver) who are deeply passionate about exploring tap dance as a vehicle to examine power dynamics and the female experience. The inspiration for creating work arises from personal reflections and conversations about roles as female-identifying tap dancers. Recognizing the historical dominance of men in the form, the aim is to challenge this paradigm by amplifying feminine voices and experiences. Through tap dance, Boys’ Club seeks to reclaim space, express our identities, and shed light on the often overlooked contributions of women in the history of tap dance and jazz music.

    Boys’ Club began in residence in May 2022 at tanzhaus nrw (Germany), followed by an invitation to return to Europe in 2023 to present a full length work at the The Claquettes Club (Belgium), and at Golem’s Theatre (Barcelona). In May 2024, Boys’ Club is returning to the Claquettes Club and tanzhaus nrw to perform a new iteration of this work. During development, Boys’ Club has been welcomed as a company in residence at national and international residency spaces including; Leña Artist Residency, Decidedly Jazz Danceworks, and the Claquettes Club.

  • “Boys’ Club is extremely excited and grateful to be part of the Process+Practice 2024/25 cohort. We will be researching and creating a new work entitled Boys’ Club & his Orchestra. This work will be a celebration of our favourite Toronto women in Jazz. In collaboration with ​vocalist Ale Nunez, pianist Alexa Belgrave, and an all-girl band, this work will explore jazz standards ​reimagined, and original music. “

Photo by Alkan Emin Photography.

  • Kiera is a dancer/choreographer whose style lives at the intersection of contemporary and hip hop. She holds a BA in Dance from LMU in Los Angeles. While in LA, she was a member of LA dance companies: the Young Lions, Immabeast, Immabreathe and MashUp Contemporary Dance Company. She has performed in Dance Matters, A Woman's Work, the Toronto Fringe Festival, the Orlando Fringe Festival, the Vancouver Fringe Festival and Dusk Dances, Hamilton. Kiera has choreographed for PRESENCE, a site specific series commissioned by Peggy Baker Dance Projects, ProArteDanza in their Choreolab, and an original piece during the half-time of a Raptors Game. She has worked with and danced for artists including Ian Eastwood, Brian Friedman, Janelle Ginestra, Kylie Thompson, Mary Ann Chavez and Monika Felice Smith. Kiera’s work often explores themes such as racial identity, female upward mobility, and other ideas that aim to empower the unheard.

  • “My project will focus on exploring femininity's multifaceted nature and its impact on individuals across diverse backgrounds. Guided by the question, "How can dance and spoken word illuminate the authentic nature of femininity in the face of its historical distortion and redefinition?" I aim to create a dance project that delves into the complexities surrounding femininity and its expansive interpretations.”

KIERA BREAUGH

Our 2024-25 Cohort was selected through a competitive Open Call process.

TFD and the City of Toronto will be seeking two more artists/projects for the 2025-26 Cohort through an Open Call in Spring/Summer 2024. Stay tuned for details! In the meantime, stay in the loop by subscribing to our email newsletters and/or following us on social media (Instagram | Facebook).

  • Assembly Hall has been an important part of the Etobicoke Lakeshore community for over a century. It was built in 1898 as part of the Mimico Lunatic Asylum, designed to serve as a place of recreation and worship for the patients and hospital staff. Patient labour was used to construct Assembly Hall and various other hospital buildings. The hospital’s first superintendent, Dr. Nelson Henry Beemer, was a strong believer in meaningful work as a form of rehabilitative therapy.

    The original purpose for Assembly Hall was to meet the social and spiritual needs of the hospital. However, because there was no comparable facility in the area, Assembly Hall soon became the principal gathering place for a multitude of community events, dances and concerts. The Asylum changed names repeatedly over the years, becoming the Mimico Hospital for the Insane in 1911, the Ontario Hospital, New Toronto in 1919 and finally renamed as the Lakeshore Psychiatric Hospital, but Assembly Hall maintained its name and central role throughout the entire history of the hospital.

    After the closure of the Lakeshore Psychiatric Hospital in 1979, Assembly Hall fell into disuse for two decades. The combined efforts of local activists and politicians helped to support the City of Toronto’s restoration of this facility, which reopened on in June 2001. The renovated Assembly Hall has been designed to meet a variety of cultural and community needs. The beautiful 250+ seat Performance Hall is a venue for music, theatre, dance, receptions and special events. The community rooms are used for art classes, meetings, workshops and rehearsals. Gallery spaces for visual arts are located throughout the building. Assembly Hall is a rental facility for both public and private use.

    Assembly Hall is fully accessible. An elevator is onsite for access to the second floor Performance Hall, and accessible parking is available both at the front of Assembly Hall and in the Green P Parking lot (located on the south side of Assembly Hall). An accessible washroom is also available.

    Learn more at: assemblyhall.ca

  • ĀNANDAṀ was founded in 2010 and is a not-for-profit charitable arts organization based in Toronto, Canada.

    Since its inception in 2010, ĀNANDAṀ has cultivated and presented solo and ensemble choreographies, interdisciplinary collaborations, curated series and festivals. Our works have been experienced by hundreds of thousands of people locally, nationally and internationally. Major repertoire works include Ephemeral Artifacts, a durational piece adaptable for multiple dance artists in radically diverse forms; Cascade, cited by NOW Magazine as one of the top 5 dance shows of 2014; the trilogy of Seismology, Glaciology and Weather, the public space work of Divergent Dances and the gallery installation of Melting / Mourning. We maintain a robust international network of collaborations and touring with artists and organizations invested in fostering contemporary experimentation in dance and critical thinking in performance. The company has toured its repertoire to Europe, the Arctic, South Africa, India, Canada and USA.

    ĀNANDAṀ's interest in alternative presentation contexts has led to cross-sectoral partnerships that are transformative for the company, our partners, and the potential of performance spaces. Major partners have included Bata Shoe Museum, while presenters include Nuit Blanche, performing in sites such as the AGO, Queen’s Quay West, Wilkinson Eyre pedestrian bridge (Eaton’s Centre) and Scarborough Town Centre. We produced the Contemporary Circus Arts Festival of Toronto 2013-2017 (CCAFT) with Girl in the Sky Productions and the Body Brake series with Theatre Passe Muraille 2014-19. In 2017/18, with the catalytic support of the TAC Open Door program, we launched Contemporaneity, a residency program/presenting series in partnership with legacy venues in Toronto.

    Supported by the Metcalf Foundation’s Creative Strategies Incubator 2014-17 we explored public participation in performance and developed our ongoing innovative Audience-in-Residence (A-I-R) program. Our wide spectrum of projects contributes to a profound relationship with our audience and community, based on collaboration, conversation and curiosity.

    Learn more at: www.anandam.ca

  • Collective Space is ĀNANDAṀ’s rehearsal and performance home in Toronto.

    Collective Space prioritizes sustainability, shared resources and the necessity of affordable, multi-use, space for interdisciplinary artistic practices. Collaboratively developed by Co-Directors Lara Ebata, Natalie Fullerton and Brandy Leary in 2011, the space has become an important alternative rehearsal and performance venue for the Toronto arts ecology.

    Learn more at: www.anandam.ca/collective-space

Heartfelt gratitude to the following supporters for making the inaugural Process+Practice Dance Residency possible:

Lindy Green & Sam Chaiton, Cathy Lace, Paul Warder

Photo/artist credits for P+P 2023 images: (top three photos, left to right) Sukriti Sharma, Priyanka Tope, Priya Doobay and Sindhu Nair in choreography by Tanveer Alam (photo by Aidan Tooth), Tanveer Alam, David Norsworthy and Rakeem Hardy (photo by Aidan Tooth), and Rakeem Hardy (photo by Aidan Tooth), (below banner photo, left to right) Genevieve John, Sukriti Sharma, Priyanka Tope, Priya Doobay and Sindhu Nair in choreography by Tanveer Alam (photo by Aidan Tooth).